Portrait of Zhao Lusi
Photo: Play大明星 / Wikimedia Commons · CC BY 3.0

FigureAsia 35 Under 35 · Entertainment

Zhao Lusi

Age 27 · Actor · Mainland China

Urban serial lead aligning visual self-invention with morally ambivalent agency

Age at 31 December 2025
27
Field
Scripted television and streaming performance
Country or region
Mainland China
FigureAsia U35 Assessment
84.3 / 100

Career and documented record

A carefully managed public identity becomes both plot and performance in Zhao Lusi’s completed 2025 contribution. Born in Chengdu, Sichuan, in 1998, the Chinese actor entered serial drama through supporting and web-based productions before The Romance of Tiger and Rose established her as a lead able to combine comic timing, period exposition and romance. The Long Ballad, Love Like the Galaxy and Hidden Love expanded her audience across historical and contemporary settings. Her direct, conversational screen manner has proved useful for characters whose apparent openness covers calculation, insecurity or self-preservation.

The thirty-two-episode urban drama Love’s Ambition, adapted from Zhang Yueran’s novel Da Qiao Xiao Qiao, completed its run from late September to October 2025. Zhao plays Qiao Yan, who reinvents herself as the polished broadcaster Xu Yan and constructs a socially advantageous marriage to businessman Shen Haoming. When her background and the mutual deceptions in the relationship are exposed, the character moves through divorce, unemployment, live-streaming work and the gradual rebuilding of professional autonomy.

The role begins from active fabrication rather than uncomplicated romantic sympathy. Xu Yan is capable and strategic, ashamed of her origins, materially ambitious and resentful of the marriage’s conditions while benefiting from them. Zhao preserves enough calculation and defensiveness for those choices to remain uncomfortable.

She appears in all thirty-two episodes, carrying the consequences beyond the collapse of the aspirational image instead of ending the arc at romantic reconciliation. Zhao also received an on-screen credit as the female lead’s stylist. Xu Yan’s extensive controlled wardrobe functions as evidence she manufactures about class, taste and command, so the styling contribution remains inside character construction rather than operating as a separate fashion accomplishment.

Why Zhao Lusi is on the list

Zhao is selected for turning one qualifying series into a detailed study of performed identity. The verified thirty-two-episode lead role supports substantive 2025–2026 contribution: Zhao carries Xu Yan from fabricated status and marriage through exposure, divorce, insecure work and renewed autonomy, extending responsibility beyond a romantic resolution. Her preservation of the character’s calculation, shame and material ambition supports craft or creative execution: an established conversational warmth is used without softening choices that need to remain uncomfortable. The credited styling role supports individual agency and professional practice: clothing becomes part of the evidence Xu Yan creates about class and control, giving Zhao a concrete visual-storytelling contribution beyond dialogue.

The series’ place among the year’s most-viewed Chinese dramas supports verified impact, with a strict boundary. Viewership belongs to the full production, yet it confirms that a morally ambivalent heroine reached a large realised audience. The editorial significance is the alignment of performance and wardrobe: Xu Yan’s aspirational image is not merely described by the script but constructed through visible choices in which Zhao held a limited credited role. Compared with peers who released several projects, her qualifying record is narrow.

That makes the specificity of the one completed role essential. Recovery, publicity and fan mobilisation are not professional achievements and contribute nothing. On screen, Zhao makes familiar romantic accessibility less reassuring and sustains the consequences of deception over a full run. Popular circulation, complicated lead material and bounded visual authorship together support one of 35 places; celebrity visibility does not.

The 2025–26 record

Completed work

Led all thirty-two episodes of the completed 2025 urban drama Love’s Ambition as Qiao Yan/Xu Yan, whose fabricated social identity and strategic marriage collapse.

Attributable execution

Carried Xu Yan through divorce, unemployment, live-streaming work and renewed professional autonomy during the September–October 2025 run instead of ending her arc at reconciliation.

Documented responsibility

Received an on-screen credit as the female lead’s stylist in 2025, connecting Xu Yan’s controlled wardrobe to the character’s deliberate construction of class and public image.

Verified consequence

Sustained an ambivalent adult protagonist across a series subsequently listed among 2025’s most-viewed Chinese dramas, establishing realised audience reach without claiming programme-level success personally.

The work in its field

The National Radio and Television Administration’s 2025 report placed Love’s Ambition first on Tencent Video’s annual drama heat-value list. That platform-specific measure belongs to the programme, but establishes a realised audience for an ambivalent adult protagonist. Zhao’s individual case joins sustained lead responsibility to a limited, concrete contribution to the visual design through which the character invents and then revises herself.

Love’s Ambition gives Zhao a full-season problem of constructed identity: Qiao Yan’s social presentation, strategic marriage and later revisions must remain connected across thirty-two episodes. The audience record confirms that the completed performance was widely encountered, but the scored agency is her sustained lead work and her documented, limited input into the character’s visual presentation.

Assessment breakdown

84.3out of 100

01

Substantive 2025–2026 contribution

18 / 20

Zhao led the completed 2025 urban drama Love's Ambition as a woman whose marriage, career strategy and desire for autonomy cannot be separated into neat moral categories.

02

Verified impact

12 / 15

The series achieved strong television and platform results in China and travelled internationally, with a large public conversation focused on its female lead and relationship dynamics.

03

Originality and distinction

8 / 10

She made calculation, hurt and self-command coexist, giving the role more dramatic friction than a simple rise-and-fall romance would have allowed.

04

Industry influence

9 / 10

Her title responsibility and audience consequence were substantial; the higher-ranked serial leads supplied either broader critical evidence or a more durable two-project case.

05

Individual agency

8 / 10

The assessed responsibility is the person's work as actor on Love's Ambition, not the production's entire result.

06

Durability and demonstrated trajectory

4 / 5

The qualifying work was completed and entered public circulation within the evidence window; no announced next project earns credit.

07

Asian significance and global relevance

4 / 5

The work is situated in Mainland China and was compared for meaning within Asian entertainment and for consequence beyond one immediate market.

08

Craft or creative execution

8 / 8

She made calculation, hurt and self-command coexist, giving the role more dramatic friction than a simple rise-and-fall romance would have allowed.

09

Performance, narrative or production responsibility

4.2 / 6

Zhao Lusi held actor responsibility on Love's Ambition; collective production credit was separated from individual agency.

10

Audience and critical consequence

4 / 5

The series achieved strong television and platform results in China and travelled internationally, with a large public conversation focused on its female lead and relationship dynamics.

11

Cross-market and format achievement

2.4 / 3

The completed work was assessed across its original Mainland China context and any verified international or cross-format circulation.

12

Professional practice and representation

2.7 / 3

The case records a specific chinese actor born in sichuan contribution without treating identity itself as an achievement.

Evidence and attribution

Material claims on this page are supported by the edition’s evidence record. FigureAsia tests age, identity, role, result and individual attribution before publication. Public profiles present the reported record; supporting documentation is retained for accuracy review and corrections.

Achievement records
5
Assessment window
2025–26
Editorial status
Included in the 2026 FigureAsia 35 Under 35 edition

Rights and credit

The portrait is published under the rights basis recorded for this edition. Third-party ownership and reuse restrictions remain in force.

Publication status
Published under a documented rights basis
Credit
Play大明星 / Wikimedia Commons
Licence
CC BY 3.0
Portrait source and credit