Taiwanese-American musician ØZI in an official OZMD Music portrait.
Photo: OZMD Music · Publisher-directed editorial display; source copyright retained

FigureAsia 35 Under 35 · Music

ØZI

Age 28 · Mandarin/English R&B, hip-hop and record production · United States / Taiwan

Taiwanese-American artist-producer retaining authorship across a regional R&B network

Age at the edition eligibility date
28
Field
Music
Country or region
United States / Taiwan
FigureAsia U35 Assessment
87.4 / 100

Career and documented record

ØZI, the professional name of Stefan Chen Yi-fan, makes his creative responsibility unusually easy to trace. The Taiwanese-American singer, songwriter and producer released the nine-track SWIRL on 14 March 2025. On the title track, the credits name him across composition, lyrics, lead vocals, arrangement, production, programming and recording. Those functions establish end-to-end involvement without relying on an ambiguous executive title, while the album format shows that his work extends beyond a single isolated credit.

Born in Los Angeles and raised between Taipei and the United States, ØZI works across linguistic and market boundaries. SWIRL brings together collaborators from Taiwan, Korea and Japan, but its networked character does not erase his direction. Detailed credits allow FigureAsia to distinguish his contribution from those of other writers, performers and producers. His releases also operate through his own music entity with major-label distribution, placing the project between independent leadership and established regional infrastructure.

A completed 2026 result strengthens the case. ØZI and The Crane shared the Golden Melody Award for Best Song Producer for “FINAL FINAL FINAL”. The award is treated as a joint outcome and confirms that production is recognised as a substantive part of ØZI's practice beyond self-description. His importance lies less in audited mass reach, for which public evidence remains limited, than in modelling a technically literate artist-producer role within Taiwanese R&B and hip-hop. SWIRL gives that role album-scale form; the award provides field-level consequence. Together they demonstrate a cross-Pacific musician whose authorship remains visible inside an East Asian collaborative network.

Why ØZI is on the list

FigureAsia selected ØZI because SWIRL documents individual agency across the full recording process. Composition, lyrics, vocals, arrangement, production, programming and recording are not inferred from his position as front-person; they appear in the credits. A finished nine-track album gives those responsibilities project scale, while collaborators from Taiwan, Korea and Japan place the work inside a regional network without dissolving its creative centre.

The shared 2026 Golden Melody Award for Best Song Producer adds a completed and independently legible professional consequence. FigureAsia preserves The Crane's equal credit and does not treat the honour as evidence of mass commercial dominance. Public audience metrics are less comprehensive than the authorship record, which limits impact and transmission scores. ØZI nevertheless merits selection as a Taiwanese-American artist whose cross-Pacific background, technical labour and collaborative reach converge in finished music. His case demonstrates that a contemporary singer-producer can retain traceable authorship while working through both independent leadership and regional industry infrastructure.

The 2025–26 record

SWIRL

Released a nine-track artist-producer album connecting collaborators from Taiwan, Korea and Japan.

End-to-end title-track credits

Took composition, lyric, lead-vocal, arrangement, production, programming and recording responsibilities on the title track.

Album-scale technical agency

Maintained substantial multi-role credits across the record rather than functioning solely as its vocalist.

Golden Melody production award

Shared Best Song Producer with The Crane for “FINAL FINAL FINAL”.

The work in its field

Contemporary R&B and hip-hop often separate the visible performer from the less visible labour of arrangement, programming and recording. ØZI's credits make those layers legible in one artist-producer practice. The editorial test is not whether he collaborated, but whether his responsibilities remain identifiable inside that network. SWIRL and the shared producer award show that they do, while limited public reach data require a measured distinction between technical influence and mass impact.

Assessment breakdown

87.4out of 100

01

Substantive 2025–2026 contribution

18.5 / 20

A finished nine-track album and a completed 2026 producer award provide substantial recording and professional outcomes within the assessment period.

02

Verified impact

12.5 / 15

The Golden Melody result verifies field recognition, while limited independent public metrics prevent the award from being treated as mass commercial impact.

03

Originality and distinction

9 / 10

A multilingual, cross-market album architecture joins R&B, hip-hop and detailed studio construction in a recognisable artist-producer practice across nine tracks.

04

Industry influence

8 / 10

His visible producer-performer role contributes to Taiwanese R&B's technical culture, although available evidence supports regional field influence more than broad market transformation.

05

Individual agency

9.8 / 10

Credits for composition, lyrics, vocals, arrangement, production, programming and recording provide unusually precise evidence of direct creative responsibility on the title track.

06

Durability and demonstrated trajectory

4.4 / 5

The 2025 album continues an established recording trajectory and the 2026 award shows development beyond an isolated early project in the field.

07

Asian significance and global relevance

4.5 / 5

Taiwanese-American formation and collaborators from Taiwan, Korea and Japan create a material cross-Pacific network inside the completed album and its credits.

08

Artistic authorship and interpretive agency

7.8 / 8

Near end-to-end title-track credits demonstrate strong authorship, while the assessment retains the separate roles of collaborators throughout the wider record.

09

Musical and technical execution

5.4 / 6

Vocal performance, arrangement, programming and recording responsibilities show technical execution across both the front-facing and studio layers of the project.

10

Repertoire or recorded-work significance

5.2 / 6

A coherent nine-track album and an award-winning production credit give his catalogue greater significance than a scattered sequence of features.

11

Audience and field transmission

2.3 / 5

The producer award supplies strong professional transmission, but the absence of comparable independent audience figures limits claims about broader public reach.

Evidence and attribution

Material claims on this page are supported by the edition’s evidence record. FigureAsia tests age, identity, role, result and individual attribution before publication. Public profiles present the reported record; supporting documentation is retained for accuracy review and corrections.

Achievement records
6
Assessment window
2025–26
Editorial status
Included in the 2026 FigureAsia 35 Under 35 edition

Rights and credit

The portrait is published under the rights basis recorded for this edition. Third-party ownership and reuse restrictions remain in force.

Publication status
Published under a documented rights basis
Credit
OZMD Music
Licence
Publisher-directed editorial display; source copyright retained
Portrait source and credit