FigureAsia 35 Under 35 · Music
ROSÉ
Age 28 · Global pop, K-pop and singer-songwriter recording · New Zealand / South Korea
Korean–New Zealand songwriter sustaining record-scale solo pop reach across markets
- Age at the edition eligibility date
- 28
- Field
- Music
- Country or region
- New Zealand / South Korea
- FigureAsia U35 Assessment
- 95.0 / 100
Profile
Career and documented record
ROSÉ's place in this edition rests on the measurable force of her solo work, not on BLACKPINK's reputation by association. The Korean-New Zealand singer, born Roseanne Park and also known as Park Chae-young, had already established an individual recording identity before the assessment window. Her album rosie arrived in December 2024 and the Bruno Mars collaboration APT. in October 2024, so neither is inaccurately presented here as a new 2025 release.
Their completed consequence in 2025 was nevertheless exceptional. APT. was certified as the year's biggest-selling global single, with 2.06 billion subscription-stream equivalents, and led a major global year-end song chart. ROSÉ is a credited co-writer and co-performer. That makes the result relevant to authorship and audience impact while preserving the work of Mars, the other writers, producers and campaign teams. Her unmistakable vocal presence is one component of a collaboration, not a claim to sole creation.
ROSÉ also completed fresh repertoire during the period. Messy appeared on the F1 soundtrack in May 2025, and On My Mind with Alex Warren extended her collaborative solo catalogue later that year. These releases show an active practice beyond the carry-over success of APT. She continued as a BLACKPINK member while operating through a distinct solo label arrangement, repertoire and public identity. That structure is significant because it makes the individual career legible without denying the platform created by the group. At 28 on the eligibility date, ROSÉ had converted group-era reach into a solo catalogue with its own credited writing, collaborators and international audience. FigureAsia recognises the rare cross-market scale of that achievement while keeping chronology and attribution exact.
FigureAsia selection
Why ROSÉ is on the list
FigureAsia selected ROSÉ because an identifiable creative contribution produced an independently measured global outcome. Her co-writing and co-performance on APT. establish substantive agency: the song is collaborative, but her voice, persona and credit are not ornamental. Its 2.06 billion subscription-stream equivalents and status as 2025's biggest-selling global single place the work at the highest level of verified impact and audience transmission in this cohort.
The assessment counts that as the 2025 consequence of a 2024 release, preserving the distinction between release date and the period in which impact was completed. Messy and On My Mind then supply current work and demonstrate a solo practice continuing beyond one phenomenon. Her Korean-New Zealand identity and separately organised career add material Asian and global relevance, but heritage never substitutes for repertoire. Scores below the maximum recognise the essential roles of co-writers, producers, featured artists and labels. With those shares intact, ROSÉ still presents one of the edition's strongest combinations of authored solo identity, durable trajectory and cross-market reach.
Verified work
The 2025–26 record
Largest-selling global single
APT., co-written and co-performed by ROSÉ, recorded 2.06 billion subscription-stream equivalents and became 2025's biggest-selling global single.
F1 soundtrack release
Released Messy for F1 The Album, adding completed solo repertoire beyond the continuing APT. cycle.
International collaboration
Released On My Mind with Alex Warren, extending her individual catalogue through another cross-market pop partnership.
Distinct solo trajectory
Sustained an identifiable solo recording career and label arrangement while remaining an active member of BLACKPINK.
Field context
The work in its field
K-pop solo careers are often evaluated through the visibility accumulated by a group. The more exact test is whether the artist establishes separately attributable repertoire, authorship and audience results. ROSÉ clears that threshold through named writing and performance credits, fresh 2025 releases and independently measured consumption, while the assessment continues to credit every major collaborator across the complete album cycle.
FigureAsia U35 Assessment
Assessment breakdown
95.0out of 100
Substantive 2025–2026 contribution
19 / 20
Messy and On My Mind supplied completed 2025 repertoire, while APT. generated its largest measured consequences during the same assessment window.
Verified impact
15 / 15
APT. was certified as 2025's biggest-selling global single with 2.06 billion subscription-stream equivalents and ROSÉ named as co-writer and co-performer.
Originality and distinction
9 / 10
Her distinctive vocal tone and solo persona remain recognisable across different collaborators, giving the catalogue an identity separate from BLACKPINK's group work.
Industry influence
10 / 10
A Korean pop solo artist operating at the top of independently measured global single consumption materially expands the industry's understanding of cross-market reach.
Individual agency
9 / 10
Co-writing, lead performance and a separately organised solo career establish meaningful individual responsibility, although the defining work remains substantially collaborative.
Durability and demonstrated trajectory
4.5 / 5
The rosie album, earlier solo material, continued 2025 releases and BLACKPINK catalogue demonstrate a trajectory broader than one successful collaboration.
Asian significance and global relevance
5 / 5
Born in New Zealand, raised in Australia and professionally established in South Korea, ROSÉ embodies a materially transnational Korean career.
Artistic authorship and interpretive agency
7.5 / 8
Her APT. writing credit and defining vocal performance support strong authorship and interpretation marks without absorbing the contributions of Mars and other writers.
Musical and technical execution
5.5 / 6
A recognisable vocal attack, controlled phrasing and adaptable duet performance carry her identity across the different production settings assessed here.
Repertoire or recorded-work significance
5.5 / 6
APT. became a globally consequential solo-catalogue anchor, while Messy and On My Mind prevented the period from resting on one carry-over release.
Audience and field transmission
5 / 5
Year-end global leadership and 2.06 billion subscription-stream equivalents provide exceptional evidence that the co-written repertoire travelled widely across international markets.